As promised, I did not have time to do a blog last week. We didn’t get that lovely A/C fully installed until mid-week. When they installed it, they ran all the piping out through what had been a boarded up window, so we spent the remainder of the week installing a new window and bricking around the pipes. The weekend was a family canoe trip, during which we punched 3 holes in our canoe and sank it. Thank goodness for family. We loaded the Snowdog into a cousin’s canoe with their pooch. The dogs didn’t try play at all – just cuddled up in the bottom and went to sleep – so that went well at least. Husband’s brothers tied the sinking canoe up to their canoes to tow it while we tried to bail fast enough to keep the canoe afloat to get back to the cottage. We sank twice anyways. That’s how bad the holes were. 😀 At least we laughed the whole time! It was a very old canoe we got for free, so we just made the best of the situation. Long story short – there was no time for blogs.
What I did have time to do was finish straightening up my sewing room. When the A/C guys came, they asked my husband to move everything … and boy did he ever.
I almost cried when I saw the mess … but messes are opportunities for organization!!! 😀 And since I’d just installed Fabrique Estates, it was the perfect opportunity to finish cleaning up and setting up! I’ve decided that painting is going to wait a year or two, but everything is set up where it’s going to go when the painting does happen.
See the quilt-covered dresser next to Fabrique Estates? It turns out that the top is the exact same size as my “small” cutting mat! I now have a cutting station that’s at chest height! No more back ache from bending down to cut!!! I can still put the big cutting mat on the folding table to cut long strips, but most of the time I’ll be using my cutting station!!! I know this doesn’t sound like a big deal, but I’ve been seriously considering investing in hardware to get a collapsible cutting station. My back was injured during a car accident in college and I try not to strain it anymore than I have to. Now I have a cutting station!!!
I put the big mat on the regular sewing table to replace the small one getting moved to the cutting station. It got damaged during the AC installation – my husband left it out in the hot sun and warped it badly – but I’m hoping that it will slowly flatten out and be usable. If not, I think my dear mother-in-law may have another unused mat lying about that I can snag.
What I’m also really excited about is my pressing station!!! I made an ironing board out of … well, a board … from Home Depot, covered it in a layer of batting, then covered it in this cute Amy Butler fabric I found in the sale bin at Fabricland! I’m planning on painting the room a slightly more muted shade of the purple, so it’s going to match the finished room perfectly when I get there. And my rulers aren’t lying in a pile by my table anymore! An uncle of mine made this little shelf for me years ago as a girl in high school. It’s been up in most of my places, but I hadn’t found a room for it in our home. Now I have. And did you notice the shelf supports? That’s me! Auntie M!!!
There has been little to no sewing being done, but I did at least get caught up on last month’s block. The assigned block was a Dresden plate (or to be exact, a half Dresden plate). I got three blocks done for the class, which was enough to not get dinged with the $5 failure charge, but I wanted to complete my row anyways. There were five blocks needed. All were cut out and ready to go, so I took a couple hours on my last night of vacation to finish them and sew them together. Aren’t they cute?? They aren’t perfect, but I did the thing and I’m happy with how it turned out.
Now to get at least one of the next blocks done, plus get Grandma’s quilt pieced (due August 12). July and August are shaping up to be busy sewing months and it’s finally cool enough in the house to do the work!! Can’t wait!!!
It’s time to catch up on my block-of-the-month quilts! I’ve been slacking so hard lately.
First- bye bye coral orange peel block!! I’m going to miss you!!!
Second, my FibreChick BOTM. I still had a week left before it was due, so I got working on it. My block has 4 main colours, 1 accent colour, and the background colour. Most of the other colourways have one main colour. Usually my blocks get rotated with 1 of 4 main colours, but for this block, I got all four colours in it.
It’s a cute little pinwheel block!
I rather enjoyed putting this block together! We were using 4-at-a-time and 2-at-a-time half-square-triangles (HSTs). It gave me a chance to use my magic wand!! 😀
It is so handy! It gives you a perfect 1/4″ line to sew along for HSTs. In some cases, I drew a line from point to point. On others, I just lined up the ruler on the points and drew the stitch lines with the mechanical pencil. It beats using your 1/4″ foot to make sure you stitch a straight line.
It’s magic, baby. 😉
The last time I had a block that had all four of my main colours was my first block, so I pulled my first block out. I think I’ve made a lot of progress since I started class back in September.
The next class is the last class of this year. Since that will leave me with 10 blocks, I intend to buy two extra blocks to bring the total blocks up to 12, which will give me A COMPLETED QUILT!! Whoot woot!
Third – my Cottage Quilter BOTM. It is a Dresden Plate this month. We have to make 5 half-plates. A Dresden Plate is like a big sunflower or sun. Cutting out the petals took me TWO WHOLE DAYS. ugggggggh. It did give me a chance to watch HBO’s Chernobyl. WOW. I’m not a huge fan of HBO shows – too much jingly-jangly people parts for my taste – but this show was INCREDIBLE! I highly recommend! Although, full disclosure – the miners were mining in the nude (historically accurate) and they did not … strategically frame the scene. Everything was captured. Other than that though – I actually want to re-watch it already. It was that good.
Next week – hopefully finishing the Dresden Plate so I don’t get dinged with a failure charge.
One of my Block-of-the-Month classes is actually a Row-of-the-Month class. It’s hosted at a local library by The Cottage Quilter and we’re doing the Piper Girls’ row-by-row sampler.
This week, we were assigned the pinwheel row and some homework. Check out my pretty pinwheels! I’ve also included the other rows we have done to date.
The pinwheel row was actually Row #4. Kelly (our instructor) didn’t want to assign Row #3 until next week because it’s a new skill for most of the class (yaaay!! I’m not the only n00b!!) and she wants us to practice at home before doing it for real on the quilt. It’s called machine applique. It’s “machine” because you do it with your sewing machine and not by hand (which is what many people prefer). What is applique, you ask?
Applique is when you take a piece of fabric, cut out a design, and stitch it on to your quilt top. A lot of quilters make large portions of their quilts this way. I’ve never seen the appeal of it. I like doing piecing, not applique. And yes – I did do one bit of machine applique when I first started (as you can see above). My first issue was that the applique was a star. I have always had problems making star shapes and it has always bothered me, even as a small child. It looks wonky to me and I don’t like it. My second issue was that this was done back in … September? Maybe? I was still very new at quilting and I think I took on a little too much too soon.
I decided that my class practice is going to be a for-real practice … maybe. 😀 I got this beautiful fabric from Troll Brothers to make an orange peel quilt. As soon as I get around to picking out a background fabric, I intend to start! The problem with the orange peel design is that 90% of the patterns are an applique pattern. You can do a pieced orange peel block, but there aren’t a lot of tutorials because it’s curved piecing and I think most people prefer applique to curved piecing.
I have to veer off a bit at this point to talk about acquiring patterns. I try (whenever possible) to purchase a pattern instead of just looking at the design and doing it myself. It’s not that I can’t do that (and for husband’s quilt and niece’s quilt, they are my designs), but if I’m going to use someone else’s creativity to make a project, I’d like to compensate them for the effort. Plus, they’ve done all the maths to figure out the right sizes of things so you don’t wind up with pieces that don’t fit together.. 😀 I’ve been doing this more frequently with my knitting projects. The nice thing is that yarn patterns are usually only a few dollars on Ravelry.com. I only make … sorry, start (see last blog post) … a couple of things a year, so it doesn’t break the bank. Quilting patterns are different. The “professional” patterns can be quite expensive. You can often get blocks for free, but doing applique or curved piecing requires having a template of some sort. Ordering acrylic templates for this pattern has been a huge pain in the butt for me since the only places currently offering the orange peel templates are out of the US of A and the UK. I absolutely refuse to pay a foreigner’s tax (aka the import fees or duty) on something someone in Canada probably has for sale but I just can’t find. After 3 days of searching, I finally found an extremely old free paper pattern that has the templates included! In the spirit of doing the old thing, I cut out some cardboard using the paper pattern as a template and pulled out some test fabric to figure out what I want to do.
First, I made the curved piecing version. I don’t mind sewing curved piecing that much, but my scrap fabric decision made pressing the fabric a bit onerous. You’re supposed to press out away from the peel. Since my peel was a very dark fabric and my background was a very light, see-through fabric, there would be serious ghosting happening. Ghosting happens when you can see the seam right through the fabric – this is why most quilters press with the seam under the dark side – less chance for ghosting. When I do my quilt, though, I’ll be using a darker background fabric, so this won’t be a problem in the official version. The other issue was the cardboard template itself. Because I’m using a rotary cutter, I have to be very careful that I’m not accidentally trimming the cardboard. Not only does this dull the blade and make a mess, but it changes the size of the template over time. The last block might end up smaller than the first block. When I go to make my quilt, I will either need to invest in acrylic templates or mark the shapes from the cardboard template with a pen before cutting along the pen line.
With the curved test out of the way, we move on to the applique test. The interesting part is that these blocks will end up a little bigger because I’m not losing 1/4″ on each side of each piece to a seam allowance. It’s good to keep in mind.
I cut out the orange peel from scraps first, then I cut a couple of squares to use. I was going to go with scrap squares, but I thought it would be fun to play with the opposite dynamics by cutting squares from the original matching fabrics. I did make a mistake, though. You have to attach fabric stabilizer to the back of your applique pieces to give it some rigidity during sewing and to help keep the edges from fraying if you’re doing a raw-edge applique (more on that later). Usually, you attach the stabilizer to the fabric, then cut (so you don’t see the white stabilizer showing). I forgot to do this part, so I had to attach the cut pieces to stabilizer, then cut around the shapes with scissors. It wasn’t bad this time, but making this same mistake with the star applique was the part of the reason it started looking wonky. I was very careful about setting the pieces in the dead center with the same amount of background space on the mirrored sides. This isn’t super crucial because you can re-cut the block properly square afterwords, but I’m aiming for right the first time.I loaded up my bobbin with dark green and selected a yellow embroidery thread for the top. I’ve used it a little bit in the past – it comes up as a golden colour. It might not work out, but this is a test piece and I wanted to know how this thread will hold up on future projects (since I’ve got 6 spools of the stuff to use).
Note: I should have posted this blog last week in keeping with my one-a-week resolution, but this was as far as I got before my busy week and away-weekend ended my spare time. I did consider posting just this much, then decided to do a two-blog week so I could finish out this story. 🙂
My sewing machine has preset stitches specifically for machine applique. I didn’t know that when I made the star piece, so I made my life a little harder by having to manually set up my stitch type. This time, I just used my presets and it made life so much easier! I have three sizes for an applique satin stitch. In the samples, you will see me use sizes medium and small.
I started with the green-on-plaid piece under the medium satin stitch. The pictures should show why this is called a satin stitch – it looks soft and shiny when it’s done. After running for an inch or two with the default settings, I tightened up the stitch width to give it a bit more of that satiny sheen. In machine applique, the big challenge is points and turning corners. From the very limited reading I did on this (because why wouldn’t I want to learn the hard way with no pointers?? 😉 ), the two main ways of turning corners is to slowly walk around the point or to stitch slightly past the point, stitch backwards, turn the corner, stitch back again to get a sharpish point, then continue forwards. With green-on-plaid, I decided to try the walkaround method. From what I understand, the key to this method is making sure you always have your needle stop on the applique-side of the stitch, turn the fabric slightly, make another two stitches so you land back at the same spot on the applique side, and re-adjust again. You keep doing this until you are completely around the corner. As you can see, I needed a couple of attempts to get it looking okay.
Next up was the plaid-on-green with the small satin stitch. This was much harder as my margin for error with the edges of the applique piece was much tighter. With the medium stitch, all I had to do was make sure that the edge was somewhere between the two 1/8″ marks. This also allowed me to make a more gradual curve if my cuts were a little choppy (putting the interface on after cutting the shape only makes this worse). With the smaller stitch, I had to follow my cuts exactly. There are a couple of places where you can tell I didn’t schwoop very nicely in my cuts, but whatever – practice pieces! I also tried the back-and-forward corner method for the points this time. I think, in some ways, it actually works best with the small satin stitch because the tiny size hides the stitches a bit. In other ways, not so much – because stitch is so small, the edge of the applique was fraying a bit as I attempted to sink my stitches into the edge without having the applique fabric show on both sides of my stitches. At the corner, this fraying gets worse because I’m going back over it two extra times. Time will tell if the applique stands ups with the small stitch.
My two completed looks! I had already decided before stitching that I didn’t like the green-on-plaid near as well. The patterned piece just looks better as a focal point. I’m still glad I went ahead with it, though, because I learned something else. When stitching on the applique, the background fabric got a little warped. It’s not bad and it will almost completely vanish once the the block is stitched in place, but it is a lot more obvious that it’s happening when you use a pattern fabric as your background fabric. Learning things! I also think I prefer the look of the small stitch over the look of the medium stitch as it starts to take emphasis away from the applique. I can’t even begin to imagine how the “big” satin stitch would turn out! I want to make two more of these blocks so I can make a completed orange peel block – maybe I’ll try the big satin stitch on one of them, just to see!
Finally, I’m also glad I waited until after I got home before posting this because … I found the background fabric for my orange peel! Won’t it look nice with the charcoal grey?? I was in Ottawa, Ontario for the weekend visiting a friend and I made them pull over at a local fabric store (Sew For It) to see if I could find something. Good news – I found something! Bad news – there was only maybe 1/2 a meter left on the bolt. Not very much at all, maybe not even enough. I have to measure it out and see. I took what they had left just in case – worst case scenario, I’ll stash it and get something else. Oh darn. 😀 Because there’s so little of it, I will definitely be doing the curved piecing over the applique because I won’t have fabric to spare hiding under the orange peel. It was still worth doing the applique work just to learn how to do it. 🙂 No time is wasted time if you learn things!
You may want to keep Ugly Row in mind. I’ll be referring to Ugly Row whenever I reference this quilt.
The next row is called Holding Hands. I thought I’d take the chance to play with three colours, two of which are very close (we’ll call them medium pink and dark pink). The cutting went as follows: 2.5″ squares, 1.5″ squares, 2″x1.5″ rectangles, and 1″x1.5″ rectangles. Once all the cutting was done, I did not have enough for one last 1″x1.5″ rectangle of medium pink. No scraps big enough, no discarded pieces big enough, nothing. Sooo … I had to decide how I was going to replace the piece.
I briefly considered using the Fairy Lights scrap from the last blog post, but it was just way too different to be used in this block. My option was to use one of the dark pink squares or a new light pink square (that’s 3 pinks, for those of you counting) from my stash. I didn’t include a picture of the dark pink as it didn’t show up in the image. Using the dark pink made it look a last minute fill-in (Can’t have that!! 😀 ). The light pink looked quite nice, even though it’s significantly lighter. I decided to swap out the center square for the light pink and cut down the existing medium square into a smaller one to match the layout.
The first of three batches of holding hands. I thought the mix of light and dark pinks looked good at this stage, so I continued to make up the blocks. The piecing media of choice today was Youtube, watching how-to videos by Barnyard Bees. Husband decided on a new hobby for this summer – beekeeping! We’re going to attempt to make our own honey out at our wooded property this summer. I’m getting pretty excited!
Remember when I was talking about the design wall ideas and I had a brainwave?
Flannel on the clothes line!!!
I bought a hanging design wall by Fons and Porter. It’s meant to be strung up on a curtain rod and hung on the wall and is usually purchased for travelling or going on retreat. It’s also a lot cheaper than buying a piece of flannel of the same size, which was my original plan. I thought the clothes line was a rather clever, unique idea … turns out, most of the women in the guild used this as their starter wall . 😀 Oh well – nothing new under the sun. The line can drape closer to the deck, so I can weigh it down on windy days. On rainy days, I’ll just have to make do in the house or wait for the weather to turn nice again. And when the sewing room gets its coat of paint and mini renovation, I’m going to make this the window blind! Two birds, one stone!
I laid out my blocks and played around with the look of the mixed pinks on the row. I think this layout will work, although that light pink extra block really stands out. I’m still hoping for a miracle piece to appear in my stash …
And all together! The new row was a smidge small, making me think that I’d messed up by sewing my seams too large or something … Nope! I tucked the blocks in my pocket when I came in from outside and one block stuck to the flannel lining of my coat pocket. 😀 At least it was the end piece! I didn’t have to pull it all apart to fit the block in! Lining this row up with the others makes me think that Ugly Row isn’t so ugly after all – having the same colours show up in other rows in the quilt makes it fit a lot better. Maybe Ugly Row will make it to the final quilt?
What do you think of this project so far? Does the light pink square stand out too much? Do the medium and dark pink blend or clash? Does Ugly Row really just need to be eliminated? FYI – this quilt might just end up super ugly, despite everything we try. The next three available colours in my scrap protation are red, black, and white … scrappy-looking quilt indeed!!
Sometimes, it’s not all fun and games. Sometimes, we just have buckle down and do the things that need doing before getting the playtime.
I signed up for two block-of-the-month programs at the local quilt shops – one through FibreChick and one through The Cottage Quilter. The FibreChick BotM (Block-of-the-Month) is every third Saturday. The Cottage Quilter BotM is every fourth Thursday. In order to get the block for the next month, you have to bring your completed block to class (both will accept a photo of it through email if you cannot make class, but the photo must be submitted before the class is over) or you pay a fee (I think 5$?) to get the next block. As I’ve stated before, I’ve had a couple of close calls with the FibreChick blocks, occasionally getting them done just a couple of days prior to class. Starting in January, my quilt guild decided to host a BotM learning session at each meeting (first Monday of the month). It is not mandatory to participate with a completed block, but why wouldn’t you do it if (like me) you are very early on in your learning curve?
If you’re counting, that means M has three blocks (or block rows in some cases) to make each month. This last-minute block making isn’t going to cut it at this point, so I’ve set a goal for myself. The goal is to have the blocks completed one week after the class is taught. Since the sessions are usually spread out with a week between each, this gives me plenty of time to do the project without getting a production backlog. I always have the option to drop the ball on the quilt guild blocks without penalty, but I’d rather not do that (although I did totally forget to take said completed row to the last guild meeting because I’m a dumb-dumb – it was even sitting on the counter by the door, for crying out loud! No excuse!).
I did have a bit of a backlog this week due to the Grandma quilt cutting carnage of last week. I had two quilt guild blocks (an optional extra row was offered the first week) and the FibreChick block had just been assigned.
I got cracking on the FibreChick block first. I was very excited about this block because it meant using my new rotating mat!!! Whoo hoo! Plus, it’s a bordered 4 patch that we have to cut up and sew back together – I love these!! 🙂 As long as I don’t make a mistake cutting it, that is … If I have extra fabric, I really like doing these. It’s a bit nerve-wracking with the FibreChick blocks because she supplies the fabric, so if I screw up, it’s Frankenstein block time! I think next year, I’m going to lobby for an OOPS bundle to be offered at additional cost – just a fat quarter of the selected fabrics for OOPSIES!! 😉
I just love spinning my centers. They’re the corners where at least 4 block corners meet. Look at all those spun block centers!!! So pretty!! (yes I know I’m boring … moving on)
The quilt guild row-by-row is using scraps. They give us the pattern, we make the rows our of our stashes. My first row (rail fence blocks) was SO. TERRIBLY.UGLY. I’m trying to scrap bust!!! Maybe I should give up on that fabric … I got it through an auction and I’m trying to use it all, but yeck. It’s too bad too because I did some fussy cutting to get all the children facing the right way. I did screw up the blocks, though … maybe it looks funny because it’s too small? The second row (stair step blocks) turned out really well! One of the things that Kelly focused on at the guild meeting was checking your fabrics. The secret to these are not necessarily finding complimenting fabrics, but focusing on different colour weights (read: dark/light shades) of fabrics. That might be part of the problem with my first row – it’s a bit too blendy. Even though these are both cool colours, I made sure one was dark and one was medium light – and look at how much nicer it looks!
I kept building on that theme with the third row (doughnut hole blocks). I decided at the meeting that night that I wanted to use these two fabrics for this pattern, but it wasn’t until I started cutting that I thought I’d try tossing in that hot pink. It is a completely different tone than the other two, but I figured in worst case, I’d just have two ugly rows. It could not have turned out better!! Look at how pretty that looks! And that hot pink really pops in the centers! I might re-do the first row with different fabric if I have a slow time (or at the end of the instructional series). I might need to invest in more colour solids bundles in my future – just plain colour blocks are a beautiful look without adding printed fabrics to them.
I’m starting to get a little drained in my work, though … I need a way to find some energy. And a cutting table is someday in my future – my poor back aches after bending over for an hour straight to cut fabric. I decided to try to break my funk by buying some fabric for curtains! Off I went to Fabricland on Member’s Day to get some fabric. Little did I know that this is the busiest day at our branch all year. There’s parking for 8-10 cars out front, an alley around the back, and about 5-6 staff parking spots in the back. I’ve never seen more than 7 cars out front and thought those were busy days. WELL. Parking lot full to bursting, parking all along the alley, and 7 cars squeezed into the back lot. It was absolutely mental! I swear I saw half the guild there that day. I only got to speak to a couple of them because I got overwhelmed and needed to get out of there. I found a cheap-looking orange lace curtain in the discount bin for $5 – I bought it and escaped! It still took 15 minutes to get out of the parking lot because an ambulance parked in the drive and people had to take turns using the only remaining lane to enter and exit. People kept pulling in, realizing it was full, and having to wait for a break in traffic to back out on to one of the city’s main roads. On a Saturday. At noon. Next door to a Tim Hortons. Utter chaos. I went home feeling more wiped than when I left. So much for getting energized!
The resulting curtains are ugly as sin, but I LOVE them. 😀 I wanted something bright and warm and boy – are these curtains bright and warm. Some would even say LOUD. They filter the sun a bit so it’s not an intense square of light, which is what I was looking for. When I eventually get the real curtains, I may cut these up to be underneath. It makes my space feel cheery (even though Husband insists that they’re an eyesore). The curtain rod is too long, but that’s because I used one I had sitting around in the basement. When the room is painted and finished, I’ll make everything proper. 🙂
Best part of the week? My Tula Pink Pinkerville fabric arrived!!! This is what I’m planning to make my niece’s quilt out of. Poor little girl has been dealing with a range of medical issues pretty much since she was born. She is the family “princess”, so I thought that this fabric would be a perfect fit for the princess. Now that I have it, I WANT MOAR. Shoutout to Troll Brothers Quilt Design for fussy-cutting my special picks bundle and for scoring me the very last half-metre bundle in her shop when I realized that I needed a stash of this fabric, not just barely enough to give away in a quilt. She had a draw for every pre-order of the fabric with an ultra-rare patch as the prize … and I won!!! I got so excited when she posted that! Stacie, you are the best! (and currently my top-fav online fabric store 😉 ). She is located in beautiful British Columbia, so while the odds of us meeting are fairly low (I’m on the far side of the country in Ontario), I do have a bestie in BC that I’ve promised to visit sometime in the near future. I might have to spend extra time to get all my visits in. 😉
I shouldn’t complain so much. This problem is not limited to the Grandma quilt. My problem is me. I have a lack of attention to detail. Most of the time, I catch my own mistakes before they get too bad. Other times – like recently, when my head was full of flu – I do myself no favours.
For example: my block-of-the-month with Fabric Chick. It was a super easy block this month. I read it several times, did my sewing, read it again, did my cutting … and I cut a block in the wrong direction. I couldn’t make it work with what I had, no matter what I tried. My only option was to dip into my scraps and make a new block to cut. Unfortunately, I cut a big block, so I didn’t have big enough scraps to make a new block. That mean sewing scraps together to make a big enough block (aka Frankenstein block). ugh ….
Moving on to the Grandma quilt. I already knew I would have to do this because I ran out of one kind of fabric and I couldn’t get any more of it. When I was getting ready to put the project on hold back in October, I measured out what I would need to finish and went trash-diving for scraps to make up blocks. I thought I would need a lot more blocks than I eventually wound up making, so I have lots left to play with now.
At this point, I needed to figure out where the Frankenstein blocks were going to go. My original plan was to make the bottom two small stars out of Frankies. That was before I realized I had to rip out the finished top row to make my new piecing techniques fit (quiet crying commences). One of the upsides of ripping out the top row was having access to the top corner stars. By this point, I had realized that I only needed to make two Frankenstein squares and had decided to put them in the star points, where I figured it would be less noticeable. Each corner small star only had the points showing on two sides, so I only needed to make two star-point blocks for all four corners (two green/white and two purple/white). This will make more sense when the quilt is finished.
After piecing the Frankenstein squares, I started cutting up everything left for piecing. When I first started this quilt, I cut and pieced row by row. I’m still having trouble getting motivated to work on this quilt, so I thought motivation might be easier to achieve if I created all my blocks in one fell swoop and pieced afterwards. That sort of worked and sort of backfired. 😀
Before going any further, let’s re-visit the 4-at-a-time half-square triangles (HSTs). The steps are as follows: 1. Cut your two fabric squares of the same size. 2. Sew the squares together around all 4 edges. 3. Cut point-to-point across (2-3 cuts, results in 4 pieces). This is where the 45 degree angle ruler came in handy to make sure I was squared up properly! 4. Press open squares to get 4 completed HSTs.
There is also a 2-at-a-time and an 8-at-a-time HST option. I really wish I’d know of the 8-at-a-time when I did the husband quilt (100% HSTs), but I’d only known about the 2-at-a-time. Ah well – we learn as we go!
Back to my project: I cut up everything, ran them through the sewing machine, re-cut the HSTs, then ironed everything open. And immediately had problems. I’d evidently forgotten to cut two pieces of the green-only fabric for my small star centers, so I had pieces that were only purple, but nicely sewn together and cut up. *facepalm*. This meant ripping out the purple squares, cutting the green pieces to the original size, cross-cutting the pieces, then matching them to the purple triangles. I was really not on the ball, so I accidentally ripped out several purple HSTs that had been properly pieced to white, so I had to sew all those back together too … only to find out I’d gotten some of the purple pieces mixed up and the Frankie triangles were sewn to the wrong triangles. Ohhhh what a day.
Needless to say, I quit half-way through the re-piecing project that day. When you discover you’re making that many mistakes, take a break! I came back a couple of days later and finished piecing and cutting up the squares. I started working on my chintz pieces and realized that I needed to check the spin direction against the squares I had already done. Since I really did not want to mess with the purple-and-green small stars again, I checked them first. Thankfully, everything was spinning the same way – purple to green in a clockwise fashion. I took a picture of my remaining blocks to make sure that everyone was spinning the right way for the whole quilt. In future star quilts, I think I’d make a hemispheric spin – everything on the right spins opposite to that on the left. The one square I’d gotten wrong looked really nice sitting beside the original spin. In this case, however, I’d gotten way too far into the quilt to change what I was doing. Maybe if I’d been more motivated about this quilt, I would have changed it – but now I just want it DONE.
I watched through several Marvel comics movies to keep myself focused. One of the good piecing sessions happened during the Thor: Ragnarok viewing. I love my sewing space!
Next week is all about mini projects. I have a plan for my block-of-the-month projects – but I just have to stay focused!!
Sooo … I might have gotten completely distracted by the challenge fabric and worked on that instead. Bad M!
I decided that this challenge would be perfect to try out on a charm-square bag! There are lots of free tutorials online for this if you want to make it yourself. I used this one, but it was just a series of pictures showing how it goes together. Some people may prefer to find something with more words.
First, cut out your squares. I cut eight 4″ squares of each colour. I’d recommend going much, much bigger than that, but I’m trying to just use the three FQ fabrics, so mine will be a mini-tote. Incidentally, I cannot begin to tell you how much I love my frosted 6″ square ruler. Every time I use it, I think about getting all the frosted rulers. They just work for me!
Next, lay out your fabric to see what you want to go where. This is when I realized I was 2 squares short – kinda. I technically had one white and one yellow square left over, but I thought it would throw off the pattern I had going. I didn’t want to use any more of my focus fabric, so I dipped into my stash and came up with this dark royal blue that matched the dark leaves perfectly. Plus, it’s better to have dark on the bottom of the bag – that’s where all the dirt gets picked up!
Next, I sewed the rows together. You can do this in whichever direction makes most sense to you. Once I had the whole bag together, I pinned it so I could see the shape that I was going for.
At this point, I switched to the lining. I had great plans for the lining as well. I took the gold and the white left over fabric and ran a seam down it, joining the two pieces together. Then, I folded it and half and placed the unpinned bag on top to see if I had enough fabric for it. I did! I outlined the bag shape with wide margins (a little bigger than a 1/4″). Bag came off the lining, the lining got pinned together so the layers would not shift, and I cut out the outline.
This is where a better walkthrough or doing more research would have helped. I forgot that most bags have some sort of fusible lining in it to had a little thickness and help give the bag some form. To be honest, though – I’m not a huge fan of fusible lining and I love the feeling of just cloth bags. They crumple better too if you’re cramming them into a pocket. What you’re supposed to do at this step is attach batting or a fusible lining to pieced part, turn it into a proper bag, sew the cloth lining into a bag, then attach the two part together so the lining is loose in the bag.
What I did was attach the lining to the bag right away and do some stitch-in-the-ditch quilting around each square. I wanted the lining and the front to have a joined feel instead of the loose bag lining feel you usually get with the standard method. It also made up for not having the fusible lining added. It did halt my progress on another front, though. Part of the reason for the loose lining is to hide all the edge seams on the inside of the bag. Since the lining was already attached to the bag, I can’t nicely join all the sides together to make the bag on the machine. I found a spool of hand quilting thread that I had been intending to take to the guild for the grab table. It’s a nice soft yellow. Hand quilting thread has a coating on it that is horrible for machines because it gums up the tension disks – it almost feels like upholstery thread. I don’t hand quilt at all and bought the thread because it was on sale for 10 cents and I mis-read the label. Since I remembered I still had this thread, I decided to hand-stitch the seams together instead! This will make the seams bump up together with a “hidden” stitch and it will allow me to incorporate my exclusive handbag handle design.
Because of how this bag goes together, the mouth of the bag is more narrow than the hold of the bag (as in ship’s hold … the interior of the bag?). Since I’m building the bag on the small side to begin with, this made the opening very narrow indeed. I could easily get my fist in and out, but I could potentially see having a problem with a super bulky wallet and definitely issues with inserting a book. To fix that, I decided to add a wider handle to the bag. The problem is that this style of bag usually attaches the handles to the upper points. So I changed the design.
I cut the handles out of the remaining square of the focus fabric. I cut on an acute diagonal so I would get as much width out of it as possible. I sewed a seam up the two edges to make an elongated triangle. The ends didn’t match up, but I cut them square after sewing the seam. Once this was done, I measured the length of the two top panels of the bag as the handle will be attached to the side. I marked the top and bottom on the handle and drew a line to follow. Back at the sewing machine, I ran the lines under my walking foot and sewed down the point. I turned just after the edge of the fabric so I would have less bulk bunching when I turned it inside out. Finally, I cut off the excess fabric and turned the handle inside out. I used my Purple Thang to make the point as pointy as possible. Word of caution: while this is a wonderful tool, I have accidentally ripped through fabric with it by pushing too hard, so keep that in mind. The handles got spritzed and ironed and are ready to be attached to the bag!
My hand sewing is really slow and I’m also knitting a birthday gift for someone turning an age on January 22, so it’s not my biggest priority right now. It is coming along though! I’m adding a bonus picture showing one side almost finished. It might look a bit funny at the bottom where everything comes together because of the way I sewed on the first handle, but I figure I’ll put a pale yellow button over that spot on both sides it it does. I’m also thinking of putting a yellow button at the top and adding a fabric loop so you can “close” the bag, but I think the mouth might be small enough to make that redundant.
As punishment for having my dessert first, I also did most of my block-of-the-month. I am really struggling with these block. Not because the patterns are wrong (Kim does a really good job at writing them) but because I evidently don’t read patterns well. All the quilts I’ve made so far have either been completely out of my head or I borrowed elements from a pattern and modified it to suit myself. The modified patterns gave me the most trouble because I was trying to understand how they did what they did so I could change or increase it. All my bags were just a little bit wrong because I would do something then realize I mis-understood what I was doing. That’s learning for me and that’s why I leave my mistakes in. I’m teaching myself to hide the mistakes in plain sight. This month’s block was a pointed flower block and I didn’t realize until I started joining them all together that I’d done it completely wrong. All the piecing was done right, but the joining was not done in the right order so it doesn’t look pointed. Since I didn’t realize this until the end of the process, I’m finishing it as-is and taking it in as an alternative design piece. It doesn’t look bad – in fact, it looks like it’s on purpose because they’re all done the same way. It’s just not according to pattern. When I post the completed quilt top in May, you’ll have to see if you can spot it.
I’m going to blame it on the concert I was watching while I was doing this. I usually watch Netflix, but I sometimes get distracted by the screen and I wanted to concentrate so I didn’t make any mistakes (HA!). It was the memorial concert for “Beard Guy” Mike Taylor from Walk Off The Earth. Like a good Canadian, I’ve always enjoyed their music and have quite a bit of it, but I’m in no way a super-fan or know much about the band’s personal life. Regardless, this concert brought me to tears a couple of times. It’s so amazing to see the impact a single person can have on a large group of people and so sad to think that most of the time, it’s not celebrated until after the person is gone.
This week, find someone who means a lot to you and tell them what makes them so special and why you love them. We should all do this more often, but it’s so easy to get bogged down in life and forget. Try to remember to show your love more often. I wish I could show my dearly departed aunt, Auntie El, how much she had meant to me and how big of an impact her presence had in my life. The only way I can do that now is to reflect her in how I behave in my own life and that will just have to be enough.